The Orchid

The Orchid

Saturday, 18 February 2017

Book Review From My Youngest

This is an additional book review written by my eight year old son after he wanted to join in the fun!


Harry Potter and the Goblet of Fire! 

Harry Potter and the goblet of fire is the 4th book in the Harry Potter series. I enjoyed the book because it is funny and dramatic so it is my style. Also, I enjoyed the book because the characters are a mixture of people they are good, bad, evil, and filled with trickery. My favourite character is Dobby because he is a funny cheerful house elf and different to other people.

I rate this a five star book but, sometimes made me jump, because there was sudden moments like when he was waiting and his name was called out of the goblet after Fred and George put it in as a joke. They were pleased that he survived because after they were worried they might kill the famous boy...    

The author of the book is J.K Rowling a famous book writer!       




                                             

Before I Fall


I planned to review The Blind Assassin by Margaret Atwood, but a week hasn’t proved long enough for that large book. Instead, feeling ill in bed last night, I downloaded Before I Fall, by Lauren Oliver, currently on 99p Kindle Deal.
This isn’t my usual style of book, I enjoy teenage speculative fiction and this is set in US high school, where there are defined differences between sets of pupils. I started this book at 11pm, and between coughing bouts and attempts to sleep, ended up finishing it at 3am.  The style is engaging and fast paced, hooking you straight into the story.

Teenager, Sammy, has been accepted into one of the popular groups at school, run by Lindsay. Not a natural bully, she falls into the role of tormentor to amuse her friends. In particular, Lindsay’s venom is directed at Juliet, who they all mock mercilessly. The book takes a dark turn when Sammy loses her life in a car crash, but wakes up the next day in Groundhog Day. This is not the most original idea, yet it works well here, along with a touch of The Butterfly Effect.

Expecting a tale of sophisticated, smart teenagers, the underlying theme of redemption and guilt surprised me. Sammy is forced to open her eyes to the behaviour of herself and her friends in a way that is both sad and shocking. This book shows the effect that bullying can have and touches on the theme of teenage suicide.

Other reviewers have criticised the book for its lack of positive main characters, but I liked the flawed group that made up, Before I fall. Don’t get me wrong, I wouldn’t want to go to school with them, however as characters in a book they were interesting and carried the story well. If you have a main character that is going to change her mind-set in the way Sammy did, you can’t start off with a perfect person in the first place. Characters, like people, have to grow and change.

This book is a thought provoking, intelligent read that I would be pleased to spot a teenager reading.


Has anyone else read it? Leave your comments below!

Sunday, 5 February 2017

Weekly Reading Challenge - Flawed by Cecelia Ahern

I have set myself the challenge of reading a new book a week. This was something I used to do routinely, but with a busy life, my reading has taken a back step. And I miss it! So, I am going to read and review one book a week for the next two months. The first book, is Flawed by Cecelia Ahern.


Flawed by Cecelia Ahern


This is the first book in my new reading challenge. I enjoyed both Hunger Games and Divergent, so I was interested to read a new dystopian novel by an established adult writer.

Flawed introduced the character of Celestine North, who lives in a society where mistakes and non-adherence results in the person being found guilty of being Flawed. This life destroying sentence results in the perpetrator not only being branded, in a frightening medieval throw-back, but also subject to total control by whistleblowers.

After an incident on a bus, Celestine is found guilty of five Flaws, which results in the highest number of brandings ever issued.  

I enjoyed this book, in fact read it in one night. It is a lighter style of fiction than other dystopian works and is, I suspect, aimed at teenage girls.  The character of Celestine was well drawn, showing both her fears and her courage. I also like the change to her mother’s character, who horrified by the sentence her daughter endured, became her greatest ally.

 By contrast, her father was only lightly touched on and I felt her grandfather’s motivation could have been explored deeper. The world created is a realistic one, more like 1984 than the Hunger Games. An adaption of the society we already live in.

 Overall, I thought this was a thought provoking book that whilst lacking the depth of similar works, is an excellent introduction to the genre.

Flawed is available from Amazon for £4.49. I purchased and paid for my own copy.

If you read have this book, leave your own comments below, or suggestions of books I can add to the growing To Be Read pile!

Sunday, 24 April 2016

New Release!


Celebrating the release today of A Common Enemy. An exciting medieval romance set during a fascinating time period. Originally released in paperback by My Weekly, it's now available on kindle for 99p.

Regretting her betrothal to the cruel, dishonest Edmund, Elizabeth seizes her chance to escape when they are stopped in the forest by outlaws. Yet all is not as it appears with her ruggedly handsome captor Will Downes. Though he turns out to be a gentleman, his heartbreaking past looks set to destroy their future and Elizabeth has to make the ultimate choice between her husband and the motherhood she so desires.
Extract


Elizabeth’s riding habit tightened across her chest and she hastily pulled up her horse. A long bramble had snagged on the woollen fabric, once again she had drifted too close to the hedge. Pulling the thorny branch off, she sucked her finger as a bead of blood appeared. Jagged brown leaves drifted down from the trees above, casting moving shadows over the narrow lane. She urged the animal forward again.

The mare moved into a slow walk and Elizabeth patted its neck. if Will did not call a halt soon, she would. Thick, clay mud reached above the animal’s fetlocks and the horse trembled when a powerful blast of icy wind blew down the red scarf she wore as a hood. Reaching up to the soaked wool, she squeezed out a stream of red water, which stained the edges of Will’s fur cloak. She rubbed the mark surreptitiously.

Ahead, he reined in his horse and looked back. “We are almost here, Elizabeth!” He called cheerfully. He had tied his drenched hair back at the nape of his neck and the sleeves of his doublet clung heavily to his arms.
“Please take back your mantle,” she said.
He shook his head and grinned. “This is Shorecross weather.”
The path ended at the next corner and shielding her eyes from the rain, Elizabeth stared at a tall, grey stone curtain wall set with a black iron portcullis. Two men stood behind the gate with their pikes raised and she shrank back. She had expected a farm like her uncle’s, not a fortified manor house!
She glanced at Will. In truth, she hardly knew him. What if his intentions were not honourable?
Will swung down from his horse to approach the portcullis and her shoulders relaxed as the guards grinned, bowed and opened the gate. A loud clunk echoed down the lane, followed by a squeak and rattle as the heavy iron barrier rose into the air. Noticing sharp metal teeth along the base, she touched the back of her neck with a shiver.
“It is only locked while  I was away from home,” Will said. “Shorecross is not a prison and you will be free to wander as you wish.” He put a hand on her bridle to steady her mare. “My sister and mother are expecting you. The messenger was instructed to say you were my new bride.”
She shivered again and looked away.
“Be not alarmed,” he said. “I do not wish to be wed either.”
 “Will you tell your family of the plan?” she said.
He shook his head. “My mother is an honest woman and would not approve.”
“You imply I am not honest?”
 “We are similar and lie when it is vital we do so.” He glanced into the trees behind her.
“Do you believe Edmund has followed us?”
“He knows where Shorecross is.”
A twig snapped in the bushes and she tensed. The gates to Shorecross looked more inviting now. Wrapping his reins around his hand, Will strode through the arch and Elizabeth trotted her mount after. She would not dismount until she knew it was safe.
Halting her horse in the courtyard, she breathed in the scent of roasting lamb and sage. It came from an outdoor kitchen—the open door revealing a brazier of leaping flames and a man lifting a rack of manchet bread from the oven on the wall. Her stomach rumbled; it had been a long time since lunch.
Behind the kitchen stretched the long front wall of the manor house, forming one side of the courtyard, which had been filled with stable blocks and a large well. The house had a large double door, left open, and small, leaded windows, which glowed under the pale autumn light like dozens of interested eyes. 
 “Let me take your reins,” Will said, striding towards her. She hesitated.
“Unless you would like to sleep in the stables?” he suggested. “I do not allow horses into the bed chambers.”
Looking behind her at the armed men, she gathered her reins into one hand and passed them to him. It would make no difference if she were mounted. An arrow could just as easily go through her back.  She allowed him to help her down.
Footsteps thudded across the mud and she turned to see a man wearing the doublet and hose of an upper servant running towards them, then stopping to bow.
“I rejoice at your returned safe, my lord,” he said, glancing at Elizabeth. “The ladies are on their way down.”
Elizabeth straightened her hood and reached down to brush dust from her skirts. What would they think of her with a bruised face travelling without a woman companion? Her aunt would have called her a hussy.
Will stepped closer and whispered, “There is no need to look so pale. You will be made welcome.”
Two women came out the manor house and crossed the yard towards them.  Although more than twenty years apart in age, they were dressed identically in dark, woollen gowns with plain linen coifs on their heads.  Elizabeth’s gaze dropped to the younger girl and she drew a sharp breath, seeing the swollen stomach that pushed the woman’s dress high under her girdle.  Raising her head again, she noticed the girl’s deep brown hair and wide chestnut eyes. She glanced at Will, then back at Joan to compare them. His sister had a more nervous smile.
“Remember they believe us to be in love,” Will murmured, speaking close to her ear.
“I am not sure I am sufficently good an actor.”
“Shhh now...”
Elizabeth smiled as the two reached her, and dropped into a respectful curtsey.
 “My son,” the older woman said.
“So formal, mother,” Will said, smiling. “Are you both well?”
“We are indeed, thank you. I received your letter.” She looked at Elizabeth. “My new daughter?”
“I am Elizabeth Farrell,” she said.
His mother’s grey hair had been tucked firmly under her head covering. The lines running down to her set, firm mouth deepened as she glanced at the servants who accompanied them.
"Where are your women, Mistress Farrell?”
“You may call her Elizabeth,” Will said. “And she has none. It does not matter, there has been no impropriety.”
“It is unusual to travel alone.”
“I did have companions, but we became separated,” Elizabeth said. If she was going to be here until spring, it would be good to start in the right way.
“Yes—they died, most tragic,” Will said.
His mother sighed. “Then I will arrange one of our maids to sleep in your room with you. I am Dowager Lady Downes, but you may call me Margaret, and this is my daughter, Joan.”
“Mistress Farrell,” Joan said, dipping her knee. 
Elizabeth copied. “Delighted to meet you both.”
“And I am pleased to have a new companion,” Joan said, but she studied Elizabeth carefully.
“There’s a meal set out in the hall,” Margaret said. “Unless you would prefer to eat in the solar?”
Elizabeth breathed in the scent of roasting meat again. A quiet dinner would have been preferable, but it was important for the tenants and servants to know their master had returned.
“The hall would be agreeable,” she said.
“Come with me,” Joan said. “My brother will need to discuss estate business. The land obsesses him, but you have already noticed that.”
Elizabeth followed Joan across the muddy courtyard, shivering under the keen wind.
“Your decision to marry was very quick,” Joan said.
“Yes, it was.”
“I also had a short engagement.” She patted her stomach. “My husband is away at present.”
Elizabeth nodded. Did her new sister-in-law truly believe Edmund would return?

Saturday, 12 March 2016

Stunning New Look for The Orchid!

It has been a busy few weeks with work and children. I am currently editing Common Enemy, a medieval romance that was purchased by My Weekly and is shortly to be available as an e-book. I love the character of Will Downes, a lord of the manor with a emotional past. 

Winter Storms, which was bought by Amazon Encore, is showing some great sales, which I'm delighted about. The Cornish story with its hot-headed heroine was always a favorite of mine. I hope shortly to start writing the sequel as it has proved so popular. 


My Victorian theatre romance The Orchid has been released with a lovely new cover.



Available from Amazon and Smashwords for 99p!

EXTRACT

The figure turned around and she jerked back, raising a hand to her mouth to stifle her gasp. It wasn’t Jasper or Charles. This man, with a long, dark red scar that raised the corner of his mouth towards his cheek, was a stranger.
“You needn’t try and hide your shock. I know what I look like,” he said. “It is fitting that I am in a theatre, is it not? When I look like the main character from a grisly murder play.”
“You do not sir,” she said, truthfully. He was badly scarred—that she couldn’t deny—but above the twisted injury, his eyes were intelligent and the colour of a conker shell in autumn. The hollowed cheeks and pale skin however, testified to a long illness.
“I am Miss Miller,” she said.
He bowed. “Henry Scott-Leigh.”
Ava sat down on the sofa, wiggling as the broken springs pushed up against her bottom. She studied Henry, the middle brother of the family. Some-one knocked on the door and she leant over to pull open the handle.
“Tea?” Daisy said, bobbing a curtsey.
Ava wished she wouldn’t. Every-one at The Orchid helped out with other jobs, but that did not mean that Daisy had to act like a cowed servant.
“Thank you,” Ava said, standing up to take the tray and placing it on the table. Glancing at it, she nodded. Cook had at least used the decent tea pot, even if the sandwiches looked dry and under filled. Setting out two cups, she poured as Henry strode to look from the window.
“Milk or lemon?” she said.
“What? Oh, lemon please and sugar.”
Thankfully, he sat down in the chair opposite as all his pacing about was irritating. Whatever he was here for, he didn’t look comfortable. It was clear he was about to impart bad news and she had a very good idea of what that news might be.
Her hands trembled as she handed him a cup. Please don’t let him close The Orchid. It was the only home she had ever known. And what would happen to the motley-crew of actors who had become her family? Nausea rose from her stomach and she swallowed.
Henry cleared his throat. “I’m here to sort out the running of the theatre. Since your father sadly passed away, our profits have dipped alarmingly.”
Ava moistened her lips, not daring to move in case she fainted.
“I’m sorry for the reduced payments, but I can assure you the drop in income is only temporary. We’ve got some good shows planned.”
 “It’s got nothing to do with your shows. You have lost many of your patrons because their wives do not feel that The Orchid is the respectable establishment it once was.”
“I don’t have prostitutes drifting about my premises.”  She noticed his cheeks flush at her use of the word. Really! Did he think she was a complete innocent?
He coughed. “People aren’t happy about the theatre being run by a woman and a single woman at that.”
“Mr Scott-Leigh, I have always helped my father with The Orchid and ran it successfully during his final illness.”
“It is not considered appropriate for you to manage such a business alone.”
“Is this the opinion of the patrons, or your own?”
His jaw tightened. “It is the opinion of everyone I have spoken too. You shouldn’t have just taken over when your father died. My family own the theatre and it is our place to put in a manager.”
She gripped the settle, fingers whitening. “You are ordering me out because I am a woman?”
“My family invest in theatres, music halls and breweries; we pride ourselves as a family business and guard our reputation well. We can’t be associated with a theatre that is both failing and of ill-repute.”
“Ill-repute?” She sprang to her feet.
“Sit down. I appreciate the situation is not of your doing, but that is the word on the street.” He eyed her. “And a good theatre manager ought to have been aware of it.”
“I haven’t heard these slanderous rumours because I don’t frequent taverns or coffee houses,” Ava said, teeth clenched. “I spend my evenings sewing and reading. Yet a man can drink, keep mistresses and still be considered a suitable person to employ.”
“That is the way of the world, I am afraid.”
“So what is to happen to me? The workhouse?”
“My sister is in need of a ladies’ maid. You’re used to helping actresses dress and do their hair, are you not?”
Ava looked at him, trembling in anger. “Not just actresses, I dress actors too—handing them their breeches and straightening their collars.”
He jerked back and she closed her eyes. Why had she said that? It would only prove to him that she was the immoral woman he believed her to be. It was too late to take it back though. But hopefully it would make him realise that she would not be a suitable servant to his sister.
“Then perhaps I should employ you as my valet, since you are so well versed in the dressing habits of men.” The corner of his lips turned up slightly in amusement.
Ava raised her chin with dignity. “I do not believe that would be considered suitable, sir.”
“I will therefore search for alternative employment for you.”
“As a governess, or seamstress?”
“No one would employ an ex-actress to teach their children. Can you sew?”

Her lips tightened; he was playing with her. 



Saturday, 17 October 2015

Why Do We Do It?

Why do people write? Why do I write? I get asked this quite often and it's a hard one to answer. It certainly isn't for the money! There's very little reward for writing and if I cover the cost of my printer ink and expenses in the year, I consider myself to be doing well. You have more chance of winning the lottery then having a top selling book. 

I work almost 30 hours a week in a demanding job and am a single mother to two children. I don't take a lunch break to fit my hours in, so I can get back for the school collections. Evenings are spent helping with homework, cooking, clearing up, washing, refereeing arguments.  When my eldest is finally in bed, I make a coffee, switch on the laptop and write until 11 pm. I don't eagerly sit down to work, I have to make myself do it as I'm pretty shattered by this point, but except for the rare night off, it's what I do every day. 

Most writers, except for the very successful, work this way, holding down other jobs and juggling family commitments. So why do we do it? For me, it's the writing itself. That feeling you get when you click with your book and suddenly you're with your characters, feeling everything they feel and living their lives. It's pure escapism and is what gives me the drive to continue. I couldn't not write as it's too much part of me. Writing has got me through some very difficult times in my life and while there have been periods when I've been tempted to stop, I know I never will. 

Sunday, 4 October 2015

Bath Children's Novel Award

Busy this week polishing my entry for the Bath Children's Novel award, which I have been given the go-ahead to enter after checking with the organisers.

I'm entering my new story, a children's time travel novel covering from Roman Britain to World War II. I haven't written children's novels before, so don't expect to get short-listed, but a long-listing would be sufficient to give me the boost to start sending the book off to agents. I'm now racing ahead to get the manuscript completed in case it does get requested. Is anyone else entering? Let me know and we'll wait together for the long-list to be published! 

Children's writing is quite different to adults, it's not just as simple as using shorter words. Children generally lack the skill to pick up the subtle hints in a book regarding expression or character's feelings, so the usual maxim of 'show don't tell,' isn't so relevant. When you're writing for young people, 'telling,' is allowed, as long as it's carefully done. The first two J.K. Rowling books contained quite a bit of telling, which is noticeably missing from her later works, which were aimed at older readers. 

In other writing news, Beloved Enemy, my medieval romance was released this week by My Weekly and is currently on supermarkets shelves. Lovely to see a book published and the editors at My Weekly have done a marvelous job with the edits and cover art.